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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
Continuo.	24	0	8	5	97%
Violone	24	0	8	5	97%
Evangelist.	16	0	6	4	79%
Violino I.	15	0	5	6	69%
	18	0	5	5	67%
Viola.	18	0	5	6	69%
Basso.	17	0	5	4	63%
Alto.	13	0	4	3	42%
Bassoon	21	0	6	4	42%
Soprano.	13	0	5	2	39%
Flauto traverso II.	12	0	2	3	29%
Oboe II.	13	0	2	3	29%
Flauto traverso I.	12	0	1	3	26%
Oboe I.	12	0	1	3	26%

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	11	12	3	2	88%
	9	0	2	1	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	11	12	3	2	88%
	9	0	2	1	89%
Continuo.	9	0	2	1	89%
Evangelist.	11	0	2	3	89%
Violone.	9	0	2	1	89%
Judas.	8	0	1	2	33%

Mozart: "Ave Verum Corpus" K. 618

Samuel Ricke

2:18	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso ed Organo.	33	4	12	5	100%
Organ	33	48	13	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso ed Organo.	33	4	12	5	100%
Organ	33	48	13	6	100%
Viola.	14	0	3	4	100%
Violino I.	20	0	5	7	100%
Violino II.	15	0	5	5	100%
Alto.	9	0	2	6	83%
Soprano.	14	0	5	6	83%
Basso.	15	0	6	4	80%
Tenore.	10	0	2	6	80%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart

Samuel Ricke

2:27	Est. Play Time
40	Measures
	1,430Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	30	1	15	4	100%
Violino II.	25	1	14	4	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	30	1	15	4	100%
Violino II.	25	1	14	4	100%
Violoncello, Basso ed Organo.	33	0	12	4	86%
Viola.	25	0	14	4	80%
Fagotti.	22	15	11	7	78%
Alto.	13	0	5	5	77%
Soprano.	14	0	4	4	77%
Organ	31	22	15	6	76%
Trombone alto ed tenore.	16	0	8	7	76%
Trombone basso.	18	0	5	5	76%
Basso.	19	0	6	6	71%
Corni di Bassetto in F.	13	9	5	3	69%
Tenore.	17	0	8	7	68%
Trombe in D.	6	4	0	1	53%
Timpani in D.A.	4	0	0	1	51%

Requiem in D Minor, K. 626, III. Sequentia: Tuba Mirum By W. A. Mozart

Samuel Ricke

3:08	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	32	0	11	6	96%
Viola.	19	7	6	5	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	32	0	11	6	96%
Viola.	19	7	6	5	92%
Violino I.	28	1	11	5	92%
Violino II.	20	2	6	5	92%
Tenore solo.	12	0	5	7	44%
Trombone tenore solo.	18	0	6	6	44%
Basso solo.	18	0	5	8	40%
Soprano solo.	9	0	2	6	32%
Alto solo.	12	0	4	7	27%
Corni di Bassetto in F.	14	0	4	4	27%
Fagotto.	15	11	5	5	23%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
Fagotto.	23	0	10	6	100%
Oboe I.	18	0	7	10	100%
Oboe II.	17	0	5	5	100%
Oboe III.	13	0	4	5	100%
Viola.	17	0	7	7	100%
Violino I.	19	0	5	7	100%
Violino II.	16	0	6	5	100%
Violino piccolo.	23	0	9	9	100%
Violoncello.	22	0	10	6	100%
Violone.	22	2	10	6	100%

Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"

Samuel Ricke

3:28	Est. Play Time
94	Measures
	2,567Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
Bassoon	20	0	2	8	100%
Violoncellos	21	0	2	8	100%
Violas	16	0	2	8	99%
Violins	20	0	1	8	98%
	21	0	3	8	96%
Contrabasses	17	0	2	8	98%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
Contralto	13	0	2	8	91%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
D Trumpet	11	1	1	8	73%
Timpani	2	0	0	8	50%

Mozart: "Maurerische Trauermusik", K. 477

Samuel Ricke

3:36	Est. Play Time
69	Measures
	1,115Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi	22	34	7	6	92%
Violino I.	28	1	10	12	90%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi	22	34	7	6	92%
Violino I.	28	1	10	12	90%
Contrabasso	19	0	6	6	88%
Violoncello.	19	0	6	6	88%
Violino II.	19	12	7	9	87%
Viola.	21	16	7	7	87%
Clarinetti in B.	11	0	0	5	75%
Corni di Bassetto.	7	0	0	6	72%
	19	0	5	7	71%
	16	0	4	7	72%
Corno in E.	10	0	0	6	72%
Granfagotto.	15	0	3	7	68%
Corno in C.	6	0	0	6	58%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
View all 32 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
	14	0	0	3	12%
	26	0	11	7	94%
Violone.	14	0	0	3	12%
	26	0	11	7	94%
Continuo.	26	0	11	7	94%
Tenore.	19	0	7	6	71%
	10	0	1	3	12%
Viola.	20	0	6	7	63%
	7	0	0	3	12%
Violino I.	20	0	6	6	63%
	13	0	0	3	12%
Violino II.	10	0	2	3	12%
	18	0	5	6	63%
Basso.	12	0	0	3	12%
	19	0	6	5	61%
Alto.	12	0	4	4	35%
	7	0	0	3	12%
Fagotto.	14	0	0	4	12%
	24	0	8	5	35%
Oboe I.	8	0	1	3	12%
	14	0	4	5	35%
Oboe II.	16	0	4	4	35%
	12	0	2	3	12%
Soprano.	7	0	1	3	12%
	14	0	4	5	35%
Flauto traverso I.	19	0	7	4	33%
	14	0	0	3	12%
Flauto traverso II.	19	0	7	4	33%
	14	0	0	3	12%
Organo e Continuo.	14	0	0	3	12%